剧情介绍
Aniara is the story of one of the many spaceships used for transporting Earth's population to their new home-planet Mars. But just as Aniara leaves the ruined Earth, she collides with an asteroid and is knocked off her course. Aniara's passengers slowly realize that they'll never be able to return; they will continue onwards through an empty and cold universe forever. The Swedish Nobel prize winner Harry Martinsson wrote Aniara in 1956. The novel has been translated into a number of different languages, including danish, finnish, english, russian, czech, arabic, japanese and most recently chinese. It has been staged as opera and several theatrical productions, but has never before been filmed. In Aniara's inexorable journey towards destruction there is a warning that cannot be emphasized enough. There's only one Earth. We have only one life. So, we have to take responsibility for our actions and constantly guard our environment and our humanity. If we don't, Earth will soon be a ...
Aniara is the story of one of the many spaceships used for transporting Earth's population to their new home-planet Mars. But just as Aniara leaves the ruined Earth, she collides with an asteroid and is knocked off her course. Aniara's passengers slowly realize that they'll never be able to return; they will continue onwards through an empty and cold universe forever. The Swedish Nobel prize winner Harry Martinsson wrote Aniara in 1956. The novel has been translated into a number of different languages, including danish, finnish, english, russian, czech, arabic, japanese and most recently chinese. It has been staged as opera and several theatrical productions, but has never before been filmed. In Aniara's inexorable journey towards destruction there is a warning that cannot be emphasized enough. There's only one Earth. We have only one life. So, we have to take responsibility for our actions and constantly guard our environment and our humanity. If we don't, Earth will soon be a ...
小成本科幻，反向“流浪地球”。失去动力的移民船，飘向无边宇宙，虽然有些以偏概全地方没有涉及（比如救援，生存物资甚至阶级观念等），但重点在于讨论人文，把这里当成永久的监狱还是今后的家园？尤其是当精神寄托的系统崩溃后，象征信仰的坍塌，新的秩序重新建立，自然性和社会性兼备的人类不同的发展结果。整体基调还是很文艺且悲观，章回体式故事推进让孤寂情绪越来越强烈，直到5000年后，尘归尘土归土
好吧，都能飞火星了竟然没有个救援？绝望的氛围对于短片营造得还可以8211
飞船派的末日悲歌。极度压抑。极度寒冷。和黑暗的宇宙相比，人类的渺小可能还不及星空中的一粒尘埃。
瑞典科幻片
这个幻想室挺有意思,刚开始发动机就炸了.没有备用?这是要成蓝色空间号啊?一转眼3年?这不对啊,不是要讲怎么度过危机么?直接略过了?成了伊甸园?这探针这么小也能被发现?然后blabla...太冷门的影片,连简介都没中文.希望是生存的动力,看不到未来是最大的障碍.主题还可以,但是罗辑漏洞太多了,这一船也不到50个人吧?20年?几个周就会爆发危机.这么小的质量飞过恒星应该会被捕获? 凑合吧,5分
最深的恐惧永远来自于内心毫无期盼的绝望，设定虽然不新，但绝对是很惊艳的一部电影。 看完好一阵不能缓过神来 3星半，7分
瑞典诺奖科幻长诗 整个飞船就像一座巨型购物中心
不需要大场面 简单的叙述也能 想象出隔离的人群的希望与痛苦 最后的一幕特别棒（也失落）
在完全没看背景的情况下看的。看完之后才懂得其中的深意。三年就有宗教诞生真是不可思议。里面的天文学家好浓重的俄国天才味道。随意查看一下相关背景，原来是根据瑞典的诺奖大师的诗集改编的。确实非常有诗意。星球不就是大一点的飞船么。如何可持续发展下去，依靠每个人每一天的微小努力。
小成本，结尾减分。
邪教，女同，集权，心理，科幻，什么都讲了一点，又什么都没讲得很深，除了最后那个死神永生般的数字给我一点震撼以外，没有什么惊喜。5分吧，但是确实又有点不忍心打两星
发现导演之一当年参与了dirty diaries 这么点经费拍如此宏大的文学诗歌设定能完成已经不错 角色塑造/群像有点单薄（摄影好减分啊女主的演技被晃得好逊色）斯大礼堂也太出戏了
已经做的很棒了
比High Life要直白。刘慈欣在《死神永生》里设想的星舰文明，过于机械主义，这个版本会合理得多。一旦在星舰上被流放，人类的确会重回“孩童”，需要重新成长一次，成为“新人”，只是没有刘想得那么粗暴罢了。以及，群交当然可以是一种宗教仪式，人类比很多人以为的更需要“信仰”，而信仰是不讲道理的。大家总以为我们是一对一忠贞关系的物种，其实这不过是近两百年左右的事情罢了。这么低的预算，做到这个程度，的确值得钦佩。
低成本科幻，从装扮上看不出时间流逝，剧情也一般，最后万年后回归加一点儿分